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Christopher Nolanis known for having frequent collaborators in his film , from player to cameraman and composer Hans Zimmer , whose melodic scores have wire interview for over three decade . Nolan and Zimmer begin their collaboration withBatman Beginsand worked together on seven motion-picture show . While Christopher Nolan ’s work is most notably recognized for stunning visuals , advanced practical effects , and compelling writing , music also play an extremely important role in betray his narrative .
Hans Zimmer is one of the most iconic composer in mod cinema . Having started in the former ' 80s , he ’s now known for his involvement in keen smash hit pic such asThe Lion King , Gladiator , Pirates of the Caribbean , and of row , his quislingism with Christopher Nolan . He ’s the highest - grossing pic composer at the worldwide box office and is still climbing . While he wo n’t be scoring Nolan ’s approaching picture show , Oppenheimer , their late collaboration are still noted .
7Honorable Mention: The Prestige
The Prestigeis one ofChristopher Nolan ’s most underrated moviesand one of his best accomplishment as a writer , but the musical sexual conquest is far less memorable than his former works . While Hans Zimmer was involve with the project as a producer , it was David Julyan who composed the soundtrack . The Hans Zimmer influence is exonerated , particularly in track like " Are You Watching intimately , " which sometimes almost sounds like the grade forMan of Steel . The strength ofThe Prestigeisn’t in its soundtrack but rather in its exciting narrative , plot twists , and all - star cast .
6The Dark Knight Rises
Like many of Christopher Nolan ’s films , the last scene ofThe Dark Knight Risesis clearly memorable , with a blasting musical score from Hans Zimmer . This closing mo is one of the best in the trilogy and perfectly resolve Christian Bale ’s run as Batman . But , while " Rise " is certainly one of Zimmer ’s best tracks , particularly for Batman , it ’s basically re - used stuff fromThe Dark Knight . The Dark Knight Riseshas a terrific score , but it barely develops from the previous motion-picture show . Bane ’s opponent melodious motif replaces the Joker ’s but is n’t enough to secern the soundtrack from its predecessor .
5Batman Begins
From the scuttle vista ofBatman Begins , Hans Zimmer ’s score sets a serious tone for a reference that ’d antecedently been represent in a campy nature by 1997’sBatman and Robin . Batman Beginsrebuilt the standard , not only for Batman but also for superhero stories in universal in mainstream metier , designate that they could be maturely portrayed . The score is all-important in found Batman as the central reference in an epic and enforces some of the moving picture ’s strongest moments , like the rooftop car chase scene or training scenes with Ra ’s al Ghul , but it is n’t as develop as it would later become in the later installments of the trilogy .
4Dunkirk
Dunkirksets itself apart from other Nolan picture , as it is n’t on the dot a character - drive story . In the same sense , Hans Zimmer ’s musical score does n’t stand for a character or man like his other Nolan collaborations do but is alternatively used to help construct the moving-picture show ’s pacing and ambiance . The music ofDunkirkis essential to its story and almost creates a character of its own , progress up the intensity and anxiety that the film is mean to provoke . While this soundtrack is double-dyed for the film itself , it does n’t have the same note value outside ofDunkirkas other Nolan / Zimmer collaborations .
3The Dark Knight
The peak of Hans Zimmer ’s Batman music is inThe Dark Knight . The music not only evolves from what was established inBatman Beginsfor the titular character but also add an opposing theme for Joker as the villain . " Like a Dog Chasing Cars " and " A Dark Knight , " which perfectly cease the pic alongside Batman ’s closing soliloquy , are high spot of the score that are still iconic and come to thinker when viewers believe of Batman theme . WhileThe Batmantook a impregnable , fresh musical direction , Hans Zimmer’sscore will always be what a certain contemporaries of motion picture and funny rule book lovers imagine as Batman ’s soundtrack .
2Inception
While his premature photographic film captivated interview andThe Dark Knighttrilogy betray out theaters , Inceptionwas the motion-picture show where Nolan shew that he could turn an original musical theme into a major box part hit . Inceptionis a head - bending science fabrication moving picture , and its most iconic moment is the final , vague ending that goes accompanied by what is arguably Hans Zimmers ' unspoiled raceway to escort . Even without the film , " Time " has become ingrained in dada cultivation as a musical piece that represents the wow element and magnificence and is normally used in the backdrop of video and devotee edits to make them feel epic .
The rest ofInception’ssoundtrack is extraordinary too . The film sold out dramatics due to its monumental , world - bending visual force and its ensemble cast is all tied together by Zimmer ’s music . As the espionage mission intensifies , so does the music , which perfectly complements zero - gravity fight sequences , chase scene , and massive dream worlds . Inceptioncertainly features some of the best piece of work by both Christopher Nolan and Hans Zimmer .
1Interstellar
WhileInceptionhas , arguably , the most notable racetrack in a Nolan pic , thescore forInterstellaris the best coaction between Nolan and Zimmer as a whole . Hans Zimmer ’s work can often be described as majestic and grand , and nothing fits that verbal description better than the expanse of outer blank space . In equal measurement , Zimmer express the greatness of the cosmos and the introspection of humanity and is a large part of what makesInterstellarsuch a hefty film . From the early scene where Cooper ( Matthew McConaughey ) drive his truck through a corn field after a drone , viewers jazz they ’re about to witness a massively significant chronicle .
Interstellaris a fan darling for Nolan lovers , and much of the love for the film is attributed to its mesmerizing score , which underlines the infinite epic . LikeInception , the film ’s loudness increases as it progresses and caps off with a mind - blowing third act in which Hans Zimmer ’s euphony impart to a smell of grander enigma . In the climactic prospect where Cooper put across with Murph ( Jessica Chastain ) , the medicine is at its upright , add so much emotion to the connection between the long - lost Father-God and daughter pair , as their making love and faith in each other protects humanity .
