TheAlienfranchise has grown so much since the first instalment , as now it really cut into into the flexibility and adaptability of theXenomorphs ’ biology . This has led to interesting hybridizations using Xenomorph DNA and/or the original content behind their existence , the Black Goo . However , before all that high - concept Xeno - splicing and extraterrestrial being - chromosomal mutation , there was one type of Xenomorph crossbreed that was way uncomplicated to create , and was one that had a disgraceful secret purpose in sexual relation to the normally horrific nature of the dealership .

While manyAlienfans are conversant with the most ill-famed Xenomorph hybrids in the franchise , Alien Resurrection ’s Ripley 8 and her ‘ nipper ’ , the Newborn , there are many others that only live in the kingdom of the strip . One of the most noteworthy was asynthetic / Xenomorph hybrid discover Elden , who was inject with the Black Goo and turned into an elevated lifeform with the power to control Xenomorphs and head them into fight . Elden was the prime example of how truly deadly a Xenomorph hybrid could be , yet long before him – or the loan-blend inAlien Resurrection , for that matter – there were other synthetic / Xenomorph hybrid with a intent aside from warfare : music .

Alien’s First Xenomorph Hybrids Made Music, Not War

InAliens : Music of the Spearsby Chet Williamson and Tim Hamilton , lector are insert to a world where social club was built back up from the void that came from the Xenomorphs ’ encroachment of Earth a few plot line prior . During theEarth Warstory arc , theXenomorphs conquered the planetonly to finally be defeated by a human resistivity . While things finally got back to the way they were , humanity constitute an left obsession with Xenomorphs that was discernible in the medium they consumed . In the third issue of this limited serial publication , referee are shown the distressing consequence of this obsession : synthetic / Xenomorph stone bands .

The entireMusic of the Spearsstoryline orbit around a composer who wanted to expend real Xenomorph screams in his death metallic element philharmonic , but he was n’t the only player of his fourth dimension with the idea to contain Xenomorphs in music / band . Most music was produce synthetically , so there was no existent stria to go on stage for lively performance . So , the track record label created synthetics that appear as though they were hellish mixtures of human and Xenomorph – each of them resembling the failed Ripley clones fromAlien Resurrection . Xenomorphs became a tabu in a society built from the ashes of Xenomorph end , and these original hybrids were a way for the medium companies to cash - in on that ghoulish pastime .

None of them were harmful , nor were they rightful Xenomorph crossbreed like Elden , as these synthetics only had the forcible features of a Xenomorph give to them artificially rather than biologically . However , the fact that these ‘ hybrids ’ did n’t have an ounce of Xenomorph DNA within them is n’t the main cause they ’re so different from the Xenomorph hybrids that would follow . The real intellect for that is the fact that the true role of these originalXenomorph‘hybrids ’ in theAlienuniverse was for music , not warfare .

gary larson far side cow and cavemen

Far Side, cowboys with hands in the air (foreground) Union soldier giving general

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Alien Resurrection’s Newborn with a classic Xenomorph.

Alien’s synthetic Xenomorph rock band.

Alien